The Blink disrupts the flow of moving images, infiltrating continuous video with spliced-in single frames which flash in the blink of an eye. Using the body as an aperture brings up the physicality of vision, bodily aspects of celluloid, the cinematic flickering of frame-to-frame. Working between time-image and movement-image, this piece takes on duration as well as the tension between analogue and digital. The frames which appear between the glimmering light themselves reference the history of visual apparatuses and cinema, and are only visible in their absence, perceived as after-images once they have already passed.
